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The plush leather couch has been left large in the image to emphasize the relative comfort in which this family lived and to offer a stark contrast with the familiar images of starvation and suffering of survivors on both sides of the confl ict in Thus, even while standing on the ruins of the Nazi second seat of power, the lovingly arranged photographs in this album covey a profound nostalgia for the Third Reich. Can some of them as some have now be used for other institutions that do not dwell on the violence of the past. He had been an early appreciator of Tanguy and Max Ernst. Coetzee. I thank the students in these classes for their stimulating questions and interesting ideas. For Baldwin the landscape of the Old Country is the landscape of the past, separating him culturally and geographically from the South. just as The Remains of the Day encapsulates landscape as the path of politi- cal memory, so Baldwin charts a landscape of slavery as another country.

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Helmbrechts Kaplan 3rd pages. To my handsome, endlessly generous Sasha, out of backshadowed superstition I say. The Jewesses are none of your business. When we are confronted with delicate photographs of Nazi spaces presented as souvenir albums these images are multivalent, acting as translucent screens that open up the time around the moment of the images but also, because of their stillness, confi rm their status as souvenirs, traces of the necessarily closed past. But on a metaphorical level, the beauty of the landscape engenders forgetting. in another way, though, the surrounding landscape engages in a battle between memory and forgetting. Some of this work reflects the scene described by Dagmar Barnouw. This latter image particularly arrests because the man looks so peaceful, resting below the water with its glossy and smooth surface and gentle light.

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The remains of his art collection, which has only just been catalogued by Nancy Yeide under the title Beyond the Dreams of Avarice, were found in a tunnel near Berchtesgaden by the st Air- borne Division, who displayed it at a nearby inn with the sign. From Satellite to Single Market Three faces in the photograph, three divergent gazes. It is fascinat- ing that Knauss willfully ignores the upcoming Documentation Center and was drawn to the ruined, forgotten quality of the Obersalzberg. Smart and engrossing works by scholars including Estelle Tarica and Debarti Sanyal contribute to our understanding of the Holocaust in Latin America and the French colonial imaginary, among other locations. Chapter 3 was enormously helped by an early perusal by Brad Prager.

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Description: In the basement two SS officers had drunk brandy seated at the table and suicided. Thus, until the very end of the war, the Obersalzberg complex was the scene of crucial events. The world of the Berghof is represented as offering amnesia for those Nazis who choose not to see that the war has already turned against them. I feel myself far from petty things, and my imagination is stimulated. Indeed, in addi- tion to these class tensions, the Obersalzberg was the space of fulfi llment for Hitlerian fantasies of artistic and architectural innovation, healthful living, and reincarnation in the form of a long-awaited Teutonic monarch. The aesthetic of the albums seems very distant from the modern aesthetic of the hotel that opened on the Obersalzberg in In this triptych, two images of empty landscapes fl ank text in the middle see epigraph to Chapter 9. Miller energetically participated in surrealist practices, gleefully upsetting the assumptions of the male-dominated surrealist group. I am extremely grateful to Anke Pinkert for her responses, both formal and informal, to Chapter 9 and also to the audience members at the Unit for Criticism, and to its then-director, Michael Rothberg, for inviting me to present what later became that chapter at the Unit. Russ Castronovo gener- ously read an earlier version of Chapter 9 and offered smart and detailed advice.
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